Finding Your Creative Flow PDF Print this Guide Email this Guide
Contributed by Joshua Ogg   
Working Processes for Artists, Writers, and Musicians
The keg is drained, the haze has faded, the party’s over and now—that project that’s due tomorrow morning is staring you boldly in the face, reminding you that with all great parties, come great, recently forgotten, responsibilities (usually only considered afterward.)  What now?! 

Well if it’s a math assignment, you buck up and crank out the equations.   If it’s a term paper, you desperately copy-paste and rewrite until there is some semblance of personal voice disguising your grossly plagiarized attempt at a C-.  When you’re working on something creative, though, it’s not as simple as grinding it out.  Anything artistic requires not only the right state of mind but the right environmental nodes in place to ensure that you’re composing Mozart and not eeking out bad reggae.    

It’s important for any artist, whether you’re a writer, painter, actor, musician or whatever,  to find your own creative process.   This is not just a saving grace method for last minute projects or lazy work, it’s a general outline for developing good habits to support your creative endeavors all the time.

Alright, so regardless of your passion or your chosen form of expression, Art requires method.  Whether you realize it or not, so do you.  Humans are creatures of habit and producing works of genius is no exception.   So, I now present some steps and overall tips for finding your own creative process and sticking to it.
    
Setting

Where you work is almost equally as important to What you’re doing there.   I know a writer who absolutely can’t work in her home.  She has to take her laptop to a café or library in order to think clearly.   Home has too many distractions for some people.   Other folks, however, have a special little nook or corner of their apartment where they feel they really unlock their thoughts.   Whatever your chosen setting is, use it and don’t be afraid to structure your work time around this space.  
The best way to find out what works best for you is to experiment.  If you like music, play different CDs in the background and see what kinds of music inspire you the most.  Adorn your space with things that inspire you.  This can be posters of bands or films, figurines or stuffed animals, trinkets, photographs, or furniture.  Candles and incense are a boon for some people who need to be relaxed and at ease to think creatively.  Are you a solar creature like me who needs lots of light or a vampire like my roommate who drapes blankets over his windows to keep out the rays?   Even color is important.   Many studies can be found online and in books that discuss the significant effects of color on the human psyche.  Yellow is the color of creativity, so they say.   But, who knows, maybe your color is passionate red or the infinity of black.   All these things matter and each person has unique needs.  Experiment and allow your work space to reflect who you are as an artist.  

Time

We all know who the procrastinators are and, oddly enough, college has a way of turning us ALL into procrastinators to some extent.  Letting things go until the very last minute is a very bad and irresponsible way of working, if you listen to “them.”   But, believe it or not, some people need the chaos.  I know a painter who can’t feel good about his work unless he completes it in one long, grueling, last minute sitting.   Others can’t stand the thought of turning in a first or second draft of something so they give themselves plenty of time for rewrites.  Decide how you need to work and make plans to accommodate yourself.  If you are aware of it, conscious procrastinating can help you force out the good stuff.  Day or night can play a role as well.  If you are one of those “poets by the moonlight” then get your sleep after class and stay up at night composing your sonnets.   

Quirks

One of the hardest things to pinpoint for yourself, but the most fun and helpful, are those little idiosyncrasies you have as a person.  Some find that they need to be eating or drinking something at some point during their work.   Others need to take a little break every ten or fifteen minutes to get up from a chair and pace a little.   Even little things like squeezing a rubber ball or keep something nearby to fidget with now and then can be an asset.  I had a professor who said that, when he was writing, he found himself getting up from his computer sporadically to walk to the refrigerator.   He didn’t get anything, he just opened it, pondered the food, and returned to the computer to write another page.   After considering this, he came to the realization that, thanks to his Italian upbringing, he associated food with comfort and just a simple glance in the fridge gave him enough calm to return to thinking creatively.   Odd to some, but he churned out his best work when the fridge was stocked.  

Log it and Review it

As you start to identify some of these things, it helps to keep track of them so as to identify trends.   I suggest keeping a journal or written log of your work sessions and write down the things you do and the circumstances around your session.   Note the time of day, how long you worked, what you ate before hand, how much sleep you got, what your surroundings were like, etc.   And then in a side section, reflect on the work you accomplished.   Did your surroundings affect the mood of the song you wrote or did the thai food you ate give an added spice to the painting?   Then, of course, look back on your notes every now and then to see what the trends are in your process.   If you see something that seems to be helping, Keep Doing It!  
    
All of these things are just starting points for finding your own groove.  It’s all about our own individual habits.  That’s what makes us individual as artists or musicians.  Once you nail down some of these things, you not only start to be more productive in your art or field, you also learn a bit about yourself and, hey--- that’s never a bad thing, right?